Mr. Kenyada's Neighborhood,
in association with Walid Itayim,
presents
Archives of the Phyllis Hyman Newsletter

NEWSLETTERS 1 THRU 5

NEWSLETTERS 6 THRU 10

NEWSLETTER #11  |  NEWSLETTER #12  |  NEWSLETTER #13  NEWSLETTER #14  |  NEWSLETTER #15

NEWSLETTERS 16 THRU 20

NEWSLETTERS 21 THRU 25

"...It is way out there, dangling
on the wind-blown leaf of our emotions
that Phyllis always finds us.                   
She knows just where we are, doesn't she?  
She needs no directions, no keys, no passwords...
She comes straight to us through our hearts"
-
Richard Kenyada

 

 

 

PHYLLIS HYMAN  INTERNET NEWSLETTER  # 11
SEPTEMBER 21, 1997

Hello Everyone, and Welcome to the 11th issue our Labor of Love.
A few months ago, while leafing through my old high school senior
yearbook, I came across a friend who had written that old bromide,
"Life is like an onion; you peel away each layer, a year at a time ......
and sometimes you weep."  At 18, with the World at my feet and
billions of stars beyond me left to conquer, that quote seemed foreign
and obtuse.  For I had just opened Life's door and it was much too
early for me to understand its intricacies.  I just wanted to have fun.

After decades of peeling away those "layers", however, I've come to
understand that not only was there a purpose beyond my
comprehension, there was direction beyond my compass.

This month a few of our friends are in a very reflective mood, and they
have graciously chosen to share with us their memories of our Old
Friend, Phyllis Hyman.  It never ceases to amaze me the depth of
feeling to which Phyllis' music is shared, and the abundance of
memories and quiet reflections we all have locked away somewhere
in our private-most inner ear.  It is more than The Woman, or even The
Music.  It is, moreover, that delicately concise mixture that each of us, in
our own way, brings to the recipe. 

On some levels, the PH experience was
the same for me as it was for Ian and Damian in England,
or Valerie and Lee, clear across the Atlantic in the U.S.  But on a more
personal level, Phyllis entered the closed doors, way down deep in the
catacombs of our very souls.  And each of us knows that No One ever goes
there but us - alone and vulnerable, with every nerve ending exposed.  It is
way out there, dangling on the wind-blown leaf of our emotions that Phyllis
always finds us.  She knows just where we are, doesn't she?  She needs no
directions, no keys, no passwords.

She comes straight to us through our hearts.
It is here, where we sit gathered around this newsletter, reflectively
peeling away at onion layers in our need to share her individual
conquests of our collective Love. It is safe here.  We can remember. 

We can stand transfixed by her talent. We can laugh at her humor.
We can give her the respect and admiration she so richly deserved.
But, as is inevitable with onion layers  .....sometimes we weep.


Richard Kenyada
(listening to "Here's That Rainy Day") *******************************************************************************

From: Leeedy


I Just discovered the web site and newsletter. I would like to thank
you and the others for what you have done to keep the memory of
Phyllis alive and bring us closer to her.


I saw her many times, but one performance in particular stands
out in my mind. A few years ago, Phyllis was scheduled to appear
at what was then known as the Celebrity Theatre, which I believe is
considered to be in Anaheim, CA. The theater had a wonderful round stage
which could rotate. It was a great place to see my favorite singer
up close. There were several artists on the bill, but my only real reason
for going was to see Phyllis and hear her angelic voice.


In any event, the night started with at least two other musicians
(I'm sorry, the names have escaped me for the moment, I think
one was a sax player Gerald Albright  and the other was
Keiko Matsui). Then the house lights came up...and ...no Phyllis.
By this time, the place was packed and it was quite obvious that
Phyllis was the main attraction. Even people who had been
hanging out in the lobby came back in and were seated now.


Eventually singer Bill Withers walked up on stage and took the
mike. He said that Phyllis' car had been caught in some kind of
mishap on the freeway. A sound of frighten shock went up as
some people began to assume the worst had happened. Bill
assured us that Phyllis was unharmed, but that she would be a
while longer in arriving. In the meantime, Bill began performing
some of his own great songs and the crowd began to settle down.


I listened to Bill as I had always enjoyed his recordings and performances,
so this was a treat. However, in the back of my
mind, I fretted about what could have happened to Phyllis. I
noticed worried looks on the faces of others around me.

Anyway, Bill pretty much ran through his hit repertoire and still...no
Phyllis. Suddenly, someone off stage in the lighted doorway waved a signal
to Bill and he announce that Phyllis had arrived.


Another long period of time went by and Bill came back on stage
to update the audience. "C'monnn!" he said, "She's in there stuck in
the bathroom getting pretty for y'all...girl's just doin' what they do...you
know they can stay in there forever...but she's coming out in a minute!"


Finally the doors swung open, then Phyllis' musicians came out and
took their places, then the back-up singers came out, but one had a
towel held up against the side of her head and an awful scowl. She
didn't look happy at all and appeared to have a cut on her head. She
sat sometimes when the others stood...and was visibly upset.


Then Phyllis came up on stage and the audience was on their feet cheering. I
had seen her stroll out on stage before, majestically, tall
and beautiful...all six feet of her- and in tall HEELS. That alone was
enough to songs? Ohh, paradise for me! However, it got more strange. This
time, she appeared to be limping, not striding.


As I recall, Phyllis, ever the professional, took the mike and
apologized to the audience for the delays.  Then Phyllis tried to
explain about her limp and apologized again to the men in the
audience for not wearing heels (was I imagining it or not? She
seemed to be looking directly at me when she said it!). She had
been provided with a stool to sit on but she barely touched it...and
valiantly wandered the stage instead- despite her obvious pain.


Anyway, Phyllis launched into a couple of songs, then took a break
and talked to the audience again. This time, she introduced her
backup singers and explained the towel and head cut on the sulking
one. As I recall, Phyllis explained that she had accidentally flung open
a door in the dressing room as she was hurrying to prepare. The door
had hit the singer and she obviously was not happy about it. At this
point, Phyllis went over, introduced the back-up singers and hugged
the injured singer and told the audience how much she valued her.
The back-up singer forced a smile and seemed to break out of her
mood a bit.


After a long set, Phyllis took another break toward the end and
mentioned her songwriter friend (whose name escapes me now- and I SHOULD
know it- sorry!) from Philadelphia (Gamble-Huff organization?).
Phyllis seemed very sad as she expressed how much she missed her friend and then
sang one of her ballads and told the crowd that she felt
her friend was there on stage every time she (Phyllis) sang this song. I
think we were all near tears listening to it.
[Editor's Note - Linda Creed was the songwriter's name]


By the time Phyllis ended the set...we had run the gamut of emotions
and heard an angel...it was a night I shall never forget. Despite the odd
delay and mysterious injuries and unusual events, Phyllis had the audience-
male AND female in the palm of her hand.


I drove home with the moon roof on my car open, listening to Phyllis
all the way.


Time went by. On another starry night with the moon roof open and
Phyllis on the car stereo,  my cellular phone rang. It was my cousin
calling me long distance from the east to tell me she had just heard
a rumor that Phyllis had died, committed suicide. I immediately went
into tears, knowing that I would never again witness the miracle of a
Phyllis Hyman performance, or see her stride out in heels and take
gentle control of the audience and my emotions.


I often wondered what really happened that night in Anaheim. And I wonder
what really happened that night in New York. I think Phyllis
joined her friend in heaven and truly is an angel now.
As so many others (I am certain) have said, I only wish I could have
done something.


With Fond Affection For Phyllis, Her Talent and Her Work,
Lee Dixon
********************************************************************************

From: Mr. Damian Webber


Hi Walid and fellow Phyllis fans,

I've been putting off my contribution to this list for a long time now,
in fact since issue 1.

As someone who lives in England my experiences are probably a lot
different to you and so I pass on to you my thoughts and memories of
the great lady.


I was sat at home one night listening to a local radio station when I
heard the song 'Living all alone', by the time the record had finished
I was dumb struck with the class of the song and I knew I had to have
it, much trawling through the local record shops constantly coming up
against Phyllis who ?.  In the end I found a store who imported me a
copy of the album from the States.  The album was eventually scheduled
for release a couple of months later.  By this time I had completely
worn out my copy.  To this day I have had 7 copies of this album and
never cease to tire of listening to it, in fact the current version I
have is on its way out and getting a new copy has proved impossible.


As far as I know Phyllis only visited England once and did one show in
London, this I only found out afterwards and was so saddened to have
missed this opportunity to have seen her.  In fact more than anything
else I would love to see some video recordings of her performing.


I learned of Phyllis's death on alt.music.soul and was in shock.  I
hoped and hoped that it was not true that it must be another Phyllis,
but as we all now there was, is and will always be only one Phyllis Hyman.


I can honestly say that no album has touched me more than Living All
Alone, upon the release of her greatest hits album about a year later
it was supposed to be the start of a series of albums featuring the
greats of Arista.  As I recall it stated on the album (someone stole it
from me so I don't have it anymore) that they chose to release the
Phyllis album first as she was the supreme artist in Arista camp.  At
this time Whitney Houston was also on Arista and it was said in some
quarters that surely she should have been the first.  Whilst taking
nothing away from Whitney who I like immensely she cannot compare
with Phyllis.


It pains me that if she had had the 'breaks' or 'luck' whatever you
want to call it then more people would know the beauty of Phyllis's
music and she would probably have still been with us, life is unfair
and Phyllis knew it and I can understand her feelings.

Yours
Damian
********************************************************************************

From: "Valerie Scott"


Hi Everyone!!

My life has always been surrounded by good music.  My father was
passionate about people such as: Nat King Cole, Sarah Vaughn,
Dionne Warwick (pre-Psychic Friends), the Moonglows, the Moments.
He shared his love with his children and, as a result, I grew up listening
to my own personal music choices (i.e., the Jackson Five, the Sylvers,
the Brothers Johnson, etc.) in addition to his vast collection of jazz,
rhythm and blues, and classical music. 


I am originally from New York (Brownsville.  I went to P.S. 284. 
Does Anyone know of it?), but when I was 12, we moved to Detroit
(Chalfonte Ave. between Fenkell and Grand River.  I went to Henry
Ford High).  At the time, there was a local dance show on called "The
Scene" and I watched it everyday.  I will always remember the day
that Phyllis appeared on the show.  I was awestruck by her incredible
beauty and height.  I instantaneously loved her before she even
opened her mouth.  She had such a presence!!  Anyway, she sang
"Loving You, Losing You" and I remember clearly thinking that she had
one of the greatest voices I had ever heard.  For some reason, she
did not get a lot of airplay on the local radio stations, so I didn't
hear anything else from her until my sister brought home the
Norman Connors album "You Are My Starship".  I was ecstatic!!!!  Of course,
being a little sister, I couldn't listen to the album without her
permission.  I remember falling in love with "Betcha By Golly Wow"
and singing along (even though I did not know all of the words. 
Naturally, I put my own words in.)


The duets that she has done with Michael Henderson ("We Both
Need Each Other", "Can't We Fall In Love Again?") are beautiful. 
However, I would like to state, for the record, that even though
"Valentine Love" was very well done and a beautiful song, and was
included on the "It Takes Style" album, it WAS NOT a Phyllis &
Michael duet.  He sang that with Jean Carn.  I am sure Ms. Carn would
appreciate receiving her proper credit.


Anyway, over the years, my life has rolled on, but I always perked up
whenever I heard new things from Phyllis; although it was kind of
frustrating that information/albums from and about her was extremely
limited.  When I was in college at Central State University, Phyllis
came to perform at our homecoming concert.  I was so excited!!  I had
never seen her live before.  It was like running into an "Old Friend"
again after losing touch.  Even though she had gained weight,
she was still as beautiful as ever and her performance was 'all
that!'  She came out looking regal and unapproachable, but suddenly,
she pulled off earrings and shoes (JUST LIKE A 'HOMEGIRL') and
then she really starting blowing.


I moved to Springfield, Ohio and there I met my future husband, Kevin
Scott.  I knew that we were soulmates when we both realized that we
were both diehard Phyllis fans.  He told me that he saw her in a
nightclub in Columbus and she was wearing tall boots, a big and bulky
sweater, and tight jeans tucked inside the boots.  He said he felt as
though she was singing directly to him because he was standing
right under her and she kept looking down at him.  I was thrilled
that I had finally met someone with whom I could share my love for
Phyllis.


Unfortunately, in 1995, we went our separate ways.  I decided to go
to the Essence Music Festival in New Orleans to try to forget my
pain.  I had the worse luck getting to New Orleans because the
weather was terrible out of Atlanta and we had to sit on the runway
for a long time.  When I finally got to my hotel, I remember feeling
sort of out of it.  My cousin was staying in the room with me and we
turned on the radio before going out to the French Quarter.  We were
busy getting ready, but I noticed that they kept playing Phyllis'
songs on the radio.  I didn't think any more about it.  The next
morning, my aunt (who was also staying at the Royal Sonesta) knocked
on our door and told us the news.  I WAS DEVASTATED!!  THERE HAD
TO BE A MISTAKE!!!  Even though Kevin and I were on the outs, I
immediately tried to reach him to commiserate.  During the concerts,
people such as Frankie Beverly & Maze, Gladys Knight and Patti
Labelle paid tribute to the loss of Phyllis.  Even though she was
not on the roster to perform, her death definitely put a damper on
the whole weekend.


I am not ashamed to tell anyone that I was in love with Phyllis
Hyman.  My all time favorite song (although a difficult choice) is
"Meet Me On The Moon".  In fact, I was able to reunite with Kevin by
serenading him vicariously through Phyllis (I sent him tape after
tape of her songs and I put them in an order that would tell him a
story about our relationship and what would be possible if we worked
out our differences.)  So, in a way, I feel like Phyllis is an
integral and still vital part of the love I share with Kevin.  In fact, we
were fortunate to see her in one of her last performances here at
Constitution Hall with Will Downing. Girlfriend performed! In fact,
she got so caught up in her music that she told the band to play it by
ear with feeling (without the sheet music) and when they kept using
the sheet music she went back and knocked it off the stands and they began
playing the way she wanted - from their soul. I am so glad that I went to
see her that night.


I lost my brother and my father early in my life.  When I lost them I
grew to be thankful that I at least had memories to help ease my
loss.  When I lost Phyllis, after I said prayers for her soul, I was
thankful that I still had memories of how happy her living had made
me, and I also could listen to her anytime I wanted.  We are all
better off that she lived such a short life and enriched our lives,
than if she had never existed at all. 


P.S.  I was able to see Phyllis in the movie "Kill Reflex" with Fred
Williamson and Bo Svenson (of "Walking Tall" fame).  That was the
first time I heard her sing "Meet Me On The Moon".  Anyone who has
not seen it should try to do so.  I would also greatly appreciate and
be deeply indebted to anyone who can help me get copies of her
albums prior to "Living All Alone".  I have that, "Prime Of My Life", "I
Refuse To Be Lonely".  I also have Norman Connors' "You Are My
Starship".  I have all of the compilation albums done before and
after her death.  I would love to have the other albums/CDs.  Does
anyone know whether there is an active campaign to get the record
company to re-release her older albums in their entirety? 


That's all for now.  I realize it is longwinded; but, I needed to
download my love and share it with others.  I have read all of the
previous newsletters (BRAVO WALID & RICHARD!!!) and often myself
nodding my head at other people's stories.  Through this venue, we
can reach out and touch each other's hearts. 


My love and wish for peace goes out to all who loved Phyllis Hyman. 

God bless us all!!!
********************************************************************************

From: Ian Wonnacott

My name is Ian, I am 39 years of age and live and work in Exeter,
Devon, England.

I first became 'aware' of Phyllis at the end of 1970s/early 1980s when
I saw her perform on ' Sunday Night At The Palladium ', a light
entertainment/music show which was popular in the UK at that time.
If my memory serves me well, she sang from "Sophisticated Ladies".

In a climate, in which so much black music was ignored by popular
radio stations in the UK at that time, information about Phyllis was
hard to come by. But I remembered her.

With the release of ' Living All Alone ' in 1986  I was able to begin to
fully appreciate for the first time the lady and her music. The rest, as is
said, is history..

I have a few articles and reviews of early albums at home, and somewhere I
know I have a recording of an interview she gave
following the release of ' Prime Of My Life ' in 1991. Other than that
I know of no one with whom I can share my thoughts. It has been a
long and sometimes very lonely journey over the last two years.


May I join you all...?

Ian.
********************************************************************************


Well, that's all for now. Hope you enjoyed reading this issue.
Thanks to Lee Dixon, Damian Webber, Valerie Scott and Ian
Wonnacott for sharing their feelings about Phyllis with all of us!

Have a good month,

Walid


PHYLLIS HYMAN  INTERNET NEWSLETTER  # 12
NOVEMBER 25, 1997

 

Hi Everybody!


We're back with another issue of the newsletter! I got several
e-mails from subscribers who thought they were removed off
the mailing list because they had not received a newsletter in
2 months. The truth is that we did not want to put out issue #12
until we had enough data as in contributions from the readers.

It's been a while since we heard from Glenda Gracia (Phyllis'
manager and friend) but we hope she will be back with us in
the near future. As I was recently surfing the web for Phyllis-related
news and websites, I found some good news! At her homepage,
songwriter Lorraine Feather ( co-writer of Phyllis' This Too Shall Pass)
reported the following:

>Some time ago, I co-wrote a song called "Nobody
>Knows" with the late great singer Phyllis Hyman and a
>third writer, Doug Shawe, and I recently heard from
>Doug that the recording Phyllis did of it is being released
>on her second posthumous BMG album. 


I e-mailed Glenda and asked her if this was true. She confirmed
that an album of unreleased studio material will be released
sometime in 1998 and promised to share with us the details soon!

I now hand the floor over to Richard for a wonderful Thanksgiving.


Walid
*************************************************

 

Thankful For Life, Love  ... and Phyllis Hyman

I've always thought that what makes Thanksgiving so special is the
tradition of bringing folks together.  We sit around the table to talk,
feast and, perhaps, to listen to the sounds of ourselves being a family.
There is something so complete about being a part of such basic
tradition.  There is a connection; a common thread that winds through
each of us at the table.  Young, older.  Dependent, independent.
Puttin' on airs, or masterfully Real.  Family is the foundation on which
the strongest temples of humanity are built. 

Over the years, however, the meaning of family has changed
somewhat. It is no longer just the descriptive term for a husband
and wife with children. It has expanded to include varying numbers,
varying genders, and varying beliefs and traditions.  But still, the
underlying, determining factor is the Love and sense of purpose that compels
each of us to join together to give thanks.

The family of Phyllis Hyman fans continues to grow.  And each time
we gather together - whether between the pages of the Newsletter,
or somewhere between a CD player and a pair of speakers - it is,
indeed, Thanksgiving.  We give thanks to Phyllis for having passed through
our lives, and so graciously adorned our memories with such beauty and
emotion.  Such regality. Giving thanks for her courage and strength, which
allowed her to fight for each and every day of her
life ...until she could fight no longer.

We have asked ourselves "Why?" so often that it hardly seems to
matter anymore. That one woman stood so tall and so proud, for so
long ...THAT should be The Story.  NOT the suicide; not the depression. 
The fact that she was on top of her game, singing through the silence
of an unappreciative industry, speaks volumes to an, as of yet,
unwritten story.


But we remember and continue to pay tribute, and give thanks. 
Giving thanks for her effortless flights through a lyric -- from still
whispers, to cloudbursts of raw emotion -- soaring above us, through
us.  Reaching the heights of our dreams; the depths of our souls. 
How did she know where to find us?  No one should command
that kind of spirit ...unless it's someone we trust.  The energy on the
CDs she left behind, still possess the power to take me "there" every
time -- especially when I don't feel up to the journey.  I am thankful for
that.

The onset of the Holiday Season usually finds most everyone drawn closer to
each other. Thanksgiving, arriving as it does, almost at year's end, gives
us pause to reflect and appreciate the current year before it becomes a
memory.  Like trying to roll up an old carpet while still
standing on the end of it.

Among all the things for which we are most thankful, certainly there is
room for the memory of Phyllis Hyman.  Whenever we set our "table",
there is always a place for her.  Whether we are new friends or former
groupies - the sound of her voice tends to make us all "Old Friends". 

We are thankful for that.


Whether we are currently in love, or somewhere in the middle of the slippery
slope of love-gone-wrong, Phyllis' voice seems to somehow smooth the rough
places and lighten the darkness.  So that we may
see and feel our way clear of  "the Storm".  We are thankful for that, too.


The first time I really knew I was in love was when I could hear my woman's
silences as clearly as I could hear Phyllis' voice.  These
days, I leave for work at 4:30 a.m.  Never knowing what awaits out
there in the unknown darkness, I kiss my Lady; tell her I love her, and
how grateful I am that she is in my life. Every Day.  I once asked her if,
after 6 years, she ever gets tired of my ritual. She replied that she is
too busy being thankful to be tired.

Perhaps Thanksgiving will find us being more to each other than
faces across the dinner table.  Hopefully we will reach out for each
other while we still can.  Maybe we will look into each other's eyes as
if it were the last time. Realizing that it well may be.  The last time I
saw Phyllis at a concert in Atlanta, she told the crowd, "Good Night!",
and we all returned the greeting. We never knew then that it was
really good-bye.  But even if we could have known, we couldn't have
been more appreciative, more ... thankful.


Happy Thanksgiving, Everyone.

Richard Kenyada
*******************************************************************************

 From: Jesse H. Melchor

Personal Recollections

Many of us live life never fully aware of or appreciating those around
us.  Many of us live without the knowledge that there is much to
explore and discover in this world and then kick ourselves in the
backside when we discover precious treasures previously obstructed
by our own narrow-mindedness.  I was one such individual.  I did not
know Miss Hyman existed until 1991.  That's right.  I know, I know, but
I was a different person back then.    

Music is a vast realm where individuals come and go, linger, move on,
or drop out of sight and sound altogether.  To remain in the domain of
music takes true talent as well as passionate resilience.  I've come
to fully realize that Miss Phyllis Hyman remained true to herself and
to her talents.  I feel that it us up to each and every one of us who
appreciates her to advocate her musical legacy.    

My first exposure to Miss Hyman was during an airing of the "Living
All Alone" music video back in 1991.  The film noire and theme was
captivating and haunting to me.  Above all else, it was her voice (my
God, that voice) which mesmerized me.  Later that year, "Don't Wanna
Change The World" was making it's mark on the music video and radio
air play charts in the States.  Honestly speaking, I did not care for
the song at first; however, that voice continued to echo in my mind. 
When "Living In Confusion" was released, I was defenseless and
hopelessly enchanted under her spell.  In the video, I saw the passion
and pain in her eyes.  I was thoroughly convinced that Miss Hyman was
no ordinary vocalist.    

A friend of mine, who grew up with Miss Hyman's music, further
exposed me to her with the "Prime Of My Life" project.  Of all the songs
which grace that musical endeavor, "When I Give My Love (This Time)" haunted
me forevermore.  That voice, my God, that voice.  Needless to
say, "When I Give My Love (This Time)" remains one of my all-time
favorite Hyman tunes.  It is a true torch song.  I sought out anything
performed by her and I was ecstatic over the release of "I Refuse To
Be Lonely," and utterly devastated over her passing a short time later.    

I had just begun a journey to explore a true musical vocalist and then
she was gone.  I will never forget that day when I became aware of the news.
I was in the waiting area at my hair salon on a Saturday
morning.  I was flipping through the newspaper and saw her obituary
write up.  I guess my exasperated facial expression had people looking
my way.  My stylist said that I turned pale as a ghost as I explained
to him my reaction to what I was reading.  I clipped the article and
during that next week, there were many reports on Miss Hyman each day
until her funeral.  I was fortunate enough to catch many newspaper and
television reports on her.  I deeply cherish all printed, televised,
and recorded media coverage that I have of her.    

After many, many nights of deep depression, I continued to seek out
her previous releases.  I was astonished and most impressed at her
vast repertoire.  My musical journey of Miss Hyman continues and I
listen to her often.  I have educated and acquainted myself with her
work and I treasure it dearly.  In fact, as I write this, my ears are
blessed with the sounds of "The Answer Is You."    

Miss Hyman, you are truly appreciated and deeply cherished.  God
bless you, my Ebony Angel.  You are in Heaven.    

To Raymond and Walid:  your time, effort and devotion to the website
is personally appreciated by me.  You have further educated me on
Miss Hyman and to you I am deeply indebted.  I also deeply appreciate
the opportunity to contribute to the newsletter.  I look forward to sharing
more thoughts with you and to all of Miss Hyman's fans through
the website in the future.    

Jesse H. Melchor
******************************************************************************

From: K. McFadden

The Whispers once again took their play "Thank God! The
Beat Goes On" on the road this year. The play tells the story
of the Whispers with special concentration on the last few
days of Phyllis Hyman's life leading up to her suicide.
Reader Koko McFadden saw the play in New York at the
Beacon Theatre last month. The following is Koko's review
of the play:


Thank God! The Beat Goes On:
***********************************

Tuesday night was opening night for the "Thank God the Beat
Goes On" play. It's playing at the Beacon Theater in New York City.
Usually I don't like to do anything during the week but I had to be
amongst the first in NYC to see the show. Otherwise, I would have
died from the anticipation.

First let me say that before this show I was not really into the
Whispers. My mom played their songs a lot, but I didn't know how
bad they were. First-hand let me tell you, they are phenomenal.
A perfect suit for a Phyllis Hyman show. So the Whispers are
definitely on my favorite groups list now. Mind you, while I watched
them perform this night, I was in awe. All I could say during the
show after almost every song is, they made that song? I still can't
believe they made the classic song, Chocolate Girl. My husband
loves the Whispers! Now, I do too. I'm going crazy trying to find a
greatest hits album with Chocolate Girl on it. They really got off that
night. It was as if they were saying, let's do this for Phyllis. And with
all of their strength, they tried to give it to her. They performed for her!
Their love showed through in every physical movement, every note
sang. This was not only for the love of Phyllis but also for the love of
the fans.

Now Tony Terry (Mama, I Want To Sing) was out of this world. I think
he went back in the line 3x's for his lungs. The guy is good, as was
every single soul in Mama, I Want To Sing. So he met all of my expectations.


Alyson Williams (Just Call My Name) played our heart, Ms. Phyllis
Hyman. It's really hard for me to describe Alyson's performance. She
was very, very good. She had the look down packed, the head and
hand movements too, including the AT-TI-TUDE. The voice was
simply beautiful. She had that "buuunnnggg yuuuunngg yuuuunnngggg" thing
that was only Phyllis' down pretty good. You know what I'm talking about!!!
That stuff that came from deep down from within my girl when
she sang. Don't get me wrong, you will know that it wasn't Phyllis. But
it kind of made you feel like, oh God thanks for the one more
opportunity. You know, when you lost yourself and forgot that she
really is gone.


The show made you feel that good; and sad in this sense.
Considering all that Phyllis went through, you want the chance to
tell her how much you love her, you want to thank her, and you want
to call her up to say, I was just thinking about you, how are you? 
Then you realize you can't. It makes you real mad at the music
industry for not noticing her and giving her, her just do. She truly
was the best! Talk about diaphragmatically giving it to us -- who
does that today?


I have family in the business. And I do mean #1 on the charts
forever and they will continue to be. They're good. But Phyllis was
from a different, finer crop. I have lots of favorites, for different types
of satisfaction. So I thought about it for almost two years, who would
I break my neck to go see in concert now (since Phyllis was the
only one); and it dawned on me the other day. Maybe Angela Bofill
or Regina Bell or some other veteran from the Phyllis era. To me everybody
else sounds too familiar.


I would also love to see the Whispers and Alyson Williams again.
They're really good in their own rights.
With much love and thanks for this newsletter,


Ko-Ko
*******************************************************************************

From: PER ÅKESSON


Having read all the wonderful letters, I just feel compelled to
contribute my views and adoration for this unique and talented
artist who unfortunately no longer is with us. I can still remember
where I was when the news broke of her sudden death. I must say
that I was shocked! I knew from various articles that she had suffered bouts
of depression before and the final blow probably came when
both her mother AND grand mother passed away only within months apart.

Musically, she was a perfectionist, she could easily move from jazz-R&B-pop
and it is a great pity and disgrace that this immense
talent was never utilized by record companies. I know that she wasn't
too happy at Arista.

Mr Clive Davis might be a good business-man but
I do not think his knowledge extends all the way to the musical side of
things. I only have 2 albums by Phyllis from her Arista period; "You
Know How To Love Me" and "Can't We Fall In Love Again".

Subsequent releases were less pop-orientated which I thought
was a far better medium in which to place Phyllis. Although any dull
pop moment would light up like a beacon thanks to her incredible phrasing
and vocal style. Then I have her "Living All Alone" album,
"Prime Of My Life" and her last master-piece "I Refus To Be Lonely".

It didn't take long before Arista DID release a tribute to Phyllis in the
shape of the double-CD release "The Legacy Of Phyllis Hyman".
I haven't bought the set yet, but I am going to. I am Swedish so you
can well imagine how dried up the music scene is when it comes to
Soul. It has gotten better, but it still leaves a lot to be desired for.
Best place for Soul is in England (amen to that! I should know, because I
have lived there for 1 year! I really found this site very entertaining and
it is the least we should do to honor the memory of the late Phyllis Hyman.

Thank you for letting me speak my mind on this subject.

Per Åkesson, Malmö, Sweden
*************************************************************************

From: Derek Bald    

Many thanks for sending me a copy of the latest PH Newsletter.

Phyllis Hyman has been a part of my life for so long it is difficult
to know where to start, from the beginning most probably. 

Back in 1979 at an all-night soul club, which at the time played
mainly obscure 60's soul dancers, the DJ announced that he was
about to play a brand new US release - to which the dance floor half 
emptied as new releases where considered taboo. With no
introduction he proceeded by play "You Know How To Love Me".

Almost immediately many of the dancers returned to the dance floor,
me included. To my surprise the track was warmly received by the dancers. I
for my part said to my girlfriend at the time, who was
attending an all-nighter for the first time, I  must track down that record.      

That is exactly what I did, first the 7" single closely followed by
the album. The single itself continues to play an important part of my
life as it quickly became the song which my girlfriend (now my wife)
regard as "our tune".    

Since then I have purchased every album that Phyllis released
together with the albums where she made guest appearances
which always seemed to fill the gaps between her own releases.
The music of Phyllis continues to be played in my household and
"Meet Me On The Moon" is a firm favorite with my sons.    

My biggest regret is deciding not to go and see her when see was
last in the UK.  I thought long and hard about it but it was around the
time when I was moving house and my decision was made on the
basis that she'll be back as Prime Of My Life had firmly re-established
her commercially. Little would I know. I did however manage to obtain
a copy of an interview she did following the appearance in which she
was very upbeat and had clearly enjoyed her visit to the UK and
indicated that she would love to come back.      

I would very much like to obtain good quality live concert recordings.
Can anyone help ? I have a small number of duplicate Phyllis items
including 7"singles, 12" singles and magazine articles, or a copy of
the interview, which I would swap or sell. If anyone is interested
then please drop me a e-mail.    

It is difficult sometimes to think that she is no longer with us, but
lets not be too negative, we are still able to enjoy the legacy that
she left behind in her music which we can continue to enjoy albeit
there is unlikely to be anything new, unless of course there are
unissued gems in the can somewhere ??????????    

All the best        

Derek
******************************************************************************

From: Richard Kenyada

Subject: PH -Will Downing's Thoughts about Phyllis


R&B/Jazz singer Will Downing, in Atlanta to do a show, was
interviewed in the local newspaper. Mr. Downing spoke of
the impact that losing two friends - jazz saxophonist Art Porter,
who died in a boating accident, and Phyllis Hyman - had on his
perspective of Life.  He had known Ms. Hyman since 1990,
opening for her in several shows.  He was shocked to learn
that she had taken her own life, "because she had so much to live
for, and seemed to know it. Revel in it, at times"

The deaths of his two friends figured into what is a decidedly
romantic 6th effort, Downing's "Invitation Only", which he dedicates
to Porter and which includes a cover of Hyman's "I Don't Want
To Lose You".

"When things like that happen [the deaths of friends] , it makes me
think more about not wasting time as far as my life is concerned.
It's strange; the idea for this record was it would be a kind of
'Will Downing and Friends' -- with all of the guest appearances on
it -- but that idea takes on new meaning when I consider the friends
looking down on it now"

*******************************************************************************

From: Richard Kenyada

Subject: PH - A  Film Uses Hyman's Voice To "Set It Off"


If you get a chance to see the 1996 film "Set It Off", with
Jada Pinkett, Queen Latifa and Blair Underwood - it
should be in video stores now - check it out.  In a tender
scene in which Underwood cooks a dinner for Pinkett
at his home, you can hear Phyllis Hyman's "The Answer
Is You" playing on his stereo in the background.  Clearly
there is evidence that Hollywood is mindful of the talent
we all miss so much.
******************************************************************************

(The following biography originally appeared in the Toronto-based
ICON Magazine. Special Thanks to subscriber Paul Tattersall
for submitting it.)


A BIOGRAPHY OF PHYLLIS HYMAN
By Michael Grimaldi


DIVA. A reference made to a female performer (usually an opera
singer). In the popular vernacular of the music business,
particularly in black music circles, the term diva takes on a whole
other meaning. It implies that a female artist is demanding,
difficult, uncompromising, inflexible. It can also be considered a
term of endearment, referring to the incredible talent they possess,
making them a cut above the rest.

With so much media attention focused on current would-be's,
wanna-be's and has been's, it's rare to find any pertinent coverage
(particularly in Canada) of the women who make up the backbone of
today's R&B, Pop and Jazz fields. Mariah Carey, Whitney Houston and
a host of girl groups owe a tip of the hat to their predecessors,
women who didn't glide so easily to the top of the charts, or at
lease with such frequency  Phyllis Hyman, Jean Carne, Marlena Shaw
and Angela Bofill have all been recording for many years. All have
large gay audiences which have long been noted to recognizing,
cultivating and supporting talents like these, often elevating them
to cult status. Unlike Houston and Carey, however, these women's
careers have progressed like quiet thunder, providing them with
regular touring work but sporadic recording contracts.

PHYLLIS HYMAN (1949-1995)

  Devoted fans of the late singer Phyllis Hyman describe her as a
songstress extraordinaire with a no-nonsense attitude, and a lavish,
larger than life stage persona. Deep-voiced and statuesque, Phyllis
sang with a life affirming energy and emotional intensity found in
few other female vocalists. Born in Pittsburgh and raised in
Philadelphia, her professional career began in New York city where,
during an engagement, she was spotted by producer Norman
Connors and contemporaries Jean Carne and Roberta Flack among others.
Phyllis was immediately offered a guest appearance on
Connors' You Are My Starship album, which included her rendition of Betcha
By Golly Wow.

In 1977 Buddah Records released her self-titled debut LP which
featured the hits Loving You/Losing You and  I Don't Wanna Lose You.
A year later Hyman was signed to Arista Records. Her premiere album
for the label was Somewhere In My Lifetime, released on 1978. The
title track (produced by then newcomer Barry Manilow, a longtime
admirer of Hyman's) became Phyllis' first radio hit. A cover version
of Exile's Kiss you All Over was remixed for club play as part of
Arista's promotion, showcasing her versatility. The following year
You Know How To Love Me hit the record stores, and the title track
became one of Hyman's biggest dance anthems and was widely
played in gay clubs across the continent. She would include it in her
repertoire until the time of her passing.

In 1981 Phyllis starred in the hit Broadway tribute to Duke
Ellington, Sophisticated Ladies and continued in the role for two
and a half years, garnering a Tony Award nomination and a Theatre
World Award for Best newcomer. The original cast recording was
released by RCA and still remains a top seller on CD. While
performing in Ladies, Phyllis cut her next album, Can't We Fall In
Love Again (1981) featuring the title track, a duet with Michael
Henderson. Phyllis was at the peak of her career at this period, was
widely recognized as a New York celebrity. She was everywhere.


Goddess Of Love (1983) featured a sensational cover shot of Hyman
at her most seductive, draped in a silver bugle beaded gown (which,
according to Phyllis, weighed thirty pounds!) and sporting
chandelier-sized earrings, a Hyman trademark. The recording,
although containing two strong tracks, was patchy at best and
Phyllis, discontented with the material chosen for this project was
blunt about her feelings toward the record label and its cavalier
attitude towards her. "Firstly, I came to the label because of the
takeover of Buddah. so I didn't have much choice in the matter," she
recalled. "There were some nice records, but I'd say I was pretty
much overlooked and ignored." Ironically, the title Goddess of Love
stuck with Phyllis as a term of endearment from both critics and fans.

Phyllis was left unrecorded for four years due to contractual
discrepancies. It was during this time that a greatest  hits
package, entitled Under Her Spell  (1989), was issued. She appeared
on numerous albums as a guest vocalist, most notably with Chuck
Mangione, Barry Manilow, The Whispers, The Four Tops and, more
recently, a yet to be released duet with jazz favorite Nancy Wilson.
Keeping in the public eye, Phyllis toured extensively with her band,
did a college lecture tour, and lent her voice to several television
commercials.

In 1987 she recorded Living All Alone for the resurgent Philadelphia
International record label, released through Manhattan/EMI and
produced by Kenny Gamble and Leon Huff. The release of the first
single, Old Friend, brought Hyman back to the forefront of the
industry with saturated radio play, international concert bookings,
talk show appearances and countless magazine articles. Phyllis also
had a cameo role in the Spike Lee film, School Daze (1988),
performing the tune Be One, to which a video was later released.

Other film appearances include Lenny (1976), Two Scared To Scream
(1983) and a co-starring role with Fred Williamson in the action
drama The Kill Reflex (1991).


Prime of My Life (1991, Zoo/BMG) was Phyllis' eagerly awaited follow
up album after a four year lull, but was well worth the wait as she
took an active role in selecting the material. While making the
album, she agonized over a recent breakup. "It made the songs
difficult to record, but the results were fabulous," Phyllis
conceded. Don't Wanna Change The World was enthusiastically
received by clubs and radio, attaining international status and
becoming her first number one record according to Billboard. When
the song's popularity soared, Zoo issued a remixed version to
accommodate the demands of disk jockeys around the country.

In 1992 Phyllis was voted Number One Best Female Vocalist in the
United Kingdom by Blues & Soul magazine readers, beating out the
likes of Anita Baker, Whitney Houston and Aretha Franklin. During
this time Phyllis became involved in combating the AIDS crisis by
lending her voice to countless benefit shows and visiting wards and
hospices in and around New York. Many patients requested Phyllis'
presence, which left the singer feeling inadequate and perplexed as
to their reasons for wanting to see her as opposed to a family
member or friends. The visits took a heavier toll on Phyllis that
she realized. By now, her own personal problems were becoming
evident. An ongoing battle with alcohol and weight gain, combined
with career and financial woes were making life difficult for Hyman
and those around her. In 1993 she was dealt another blow when both
her mother and grandmother died within a month of one another.

Although Phyllis continued to record new material and perform live,
her bouts of depression were clearly overwhelming her. Her
irrational, self-destructive behavior was becoming common knowledge
to those inside the music industry, her friends and also her fans and
on June 30th, 1995, only hours before a scheduled performance at the
Apollo Theatre in New York, Phyllis' lifeless body was found in her
apartment where all efforts to revive her failed. Her suicide, while
shocking, was not a surprise to many insiders. We, like so many
others who know her, believed she would pull her life together.
Sadly, we were mistaken.


In the posthumous release, I Refuse To Be Lonely (1995, Zoo/BMG),
Phyllis alluded to her inner struggle on several songs, five of
which she co-wrote. Her most intimate and emotional project yet, I
Refuse To Be Lonely has reached the top 15 in Billboard's R&B chart,
proving that talent of this caliber will always stand the test of time.

Her passing has left a void in the entertainment world, and in the

hearts of many, including ourselves. Phyllis Hyman. Our hero, our
friend. We miss you.

Michael Grimaldi
*******************************************************************************

Subject: Good News!!
From: Louisa J. Middlebrook

Dear Walid and Fellow Fans of Phyllis,

It's been a long time since I have heard
from you all and as I was managing my
mailbox I came across an old newsletter
posting and thought of you.  As we
are moving into the holiday season I hope
that you all are well. 

I just wanted to share some good (actually
great!) news with you all.  I and another
member of the list - Mr. Anthony E. Lewis
are getting married next year!!!!  Our wedding
date is October 17, 1998 and we plan to dance
the night away to all of Phyllis' love songs. 
I know it's a ways away at this point but I just
thought that I would share the announcement
with you all.  Consider this a virtual engagement
announcement.  Hope that you all are in good
spirits.  Have a great Thanksgiving and Christmas
if I don't talk to you sooner.

Sincerely,
Joy
*******************************************************************************
 

That's it for this issue. Thank you to Jesse Melchor, Koko McFadden,

Per Akesson and Derek Bald for their contributions.
Happy Thanksgiving!

Walid & Richard (Editors)


PHYLLIS HYMAN  INTERNET NEWSLETTER  # 13
MARCH 7, 1998

Welcome to the 13th Issue of the Phyllis Hyman Internet Newsletter.
Have you missed us?  Well, we've missed you, too …in more ways
than one. We haven't been receiving as many of your thoughts, remembrances
and tributes as in the past.  We are puzzled. Of course, there may be many
reasons for the drought, but we have no way of knowing for sure.

From the very first issue of the PH Newsletter, we have always tried to
maintain a certain quality and clarity.  Out of respect for both Phyllis
Hyman's music and the adoration of her fans around the world, we
sought to fill each issue with info, insight and Love.  From what we've
heard from you, our readers, we have succeeded on every level.  And
it is because of the quality and thoroughness of previous issues that
we cannot, in good conscience, release issues that, in our opinion,
do not measure up to that standard.

With that in mind, Walid and I are considering re-scheduling the
frequency of future issues.  While we would like to continue to publish
on a monthly, or even bi-monthly basis, we are not getting the level of
feedback to warrant publishing that often.  The alternative would be a
quarterly newsletter, published in June, September, January and April.

Of course, we will continue to try to establish links with Ms. Hyman's
family and friends to provide more personal glimpses and anecdotes, beyond
what we can find in biographical data already available in print.

In the meantime, we would like to hear more from you.  Tell us how we can
make this newsletter more responsive to Phyllis' fans.  Those fans
in Philadelphia and Pittsburgh may be able to share more memories about her.
There are so many untapped sources of information we
have yet to explore that will ultimately help us get to know and
understand her better. This is the challenge we face together as
devoted fans of Phyllis Hyman.


Richard *****************************************************************************

Singer/Songwriter and A&M recording artist Billy Mann has worked
with Celine Dion, Sting, Diana King, Jennifer Love Hewitt, Grover
Washington, Jr., Phyllis Hyman, Carole King and many others. Check
out his homepage at: http://www.billymann.com

When I e-mailed him and asked him to remember Phyllis for
the newsletter, this is what he wrote:

Dear Walid,


I was given a copy of your letter via my website and felt compelled to
write you back regarding the Phyllis Hyman Newsletter. 
Having grown up in Philadelphia around great songwriters and
singers like Phyllis, the short chance that I had to work with her was
very powerful to me.  I wish that I had known her well enough to write
a proper article, but I am afraid that my writing sessions with her
probably don't compare to the scores of people who knew her much
better than I. 

None the less, I was sad to hear of her passing and recall speaking
to Grover Washington, Jr. the day she died and both of us discussing
what a great loss it is to lose such a voice as Phyllis'. 

My writing experiences with her were intense and memorable.  All I
can offer to you and her fans is that I was a fan and always will be. 
She wrote with me towards the beginning of my career as a songwriter and
gave me the benefit of the doubt.  I will always be thankful for my
time with Phyllis, and her belief in me and here I am , still in my twenties
recalling a life much greater than my own.

She could laugh loud like lioness and whisper like a little girl, but when
she sang, you surrendered...completely.  Phyllis Hyman was an
emotional medium as a vocalist and I miss her  in my musical life. 

I wish I had more of a story worth printing.

Sincerely,
billy mann

http://www.billymann.com
*****************************************************************************

From: Richard Kenyada

Subject: PH Radio Stations that Keep Phyllis' Music Alive


Atlanta's new radio station, WAMJ, Magic 107.5 FM, is creating heaps
of excitement among fans of classic R&B.  Tired of hearing the same songs
all day on the Top 40-format stations, a legion of dedicated listeners have
flocked to Magic 107's playlist of the best R&B music
from the 60s, 70s and 80s.  The station calls its format "oldies", but
the music is clearly classic R&B.

Phyllis Hyman's songbook is prevalent throughout each day.  All of her
legendary hits and the album selections that have become underground hits on
late-night Quiet Storm radio.  As a super fan, I could not help but call to
commend the station for keeping Phyllis' music in the forefront
of its playlist.

This experience has made me wonder how many of you around the
world have favorite radio stations that regularly play Ms. Hyman's music. 
If you will send us the name (call letters) of the station, along with its
postal or e-mail address, the PH Newsletter will send them an official
letter of appreciation and thanks.

Richard Kenyada
******************************************************************************

From: Jesse H. Melchor

My Ebony Angel

Across the boundaries of time, there stands an ebony enchantress. 
She stands tall and proud surveying across the Heavens.  If you listen
closely, you may hear her infectious laughter echo through the
mountain tops.  If you look closely enough, you may see the glimmer of
her lovely smile flash across the sky.  Throughout her mortal life,
she has been called many things:  "statuesque," "gracious,"
"passionate," "stylish," "commanding," "diva," "sophisticated lady,"
and "goddess of love."  In my eyes she is My Ebony Angel and I would
like to tell you why.    

Phyllis Hyman consistently demonstrated panache and benevolence:  a
woman who reached out to others, genuinely cared about those around

her, and did her part to make the world a better place to live.  In
essence, she lead by example and we must incorporate what we have
learned from her into our daily lives.  I feel that I share many
characteristics with her among them being the feeling of empathy.  I
understand that Miss Hyman would be moved to tears over the
misfortunes of others.  It is this trait that I feel a kinship with
her.    

Each time that I play her music, I hope that she can hear it as well. 
I play her music in homage and hope that she finally realizes that she
is truly appreciated despite the difficulties that she endured in her
life.  I also hope that her ears ring with peace and love when any of
us play her music.  Yes, My Ebony Angel, you are adulated.  No one can
love you more.  Your musical legacy is a precious treasure.  Deep down
inside, I know that you feel that we are "handling it" and we will
honor both your memory and your legacy.  The precious sound of your
voice will never be silenced.    

Lastly, I wish to share a personal opinion.  Success should not be
measured in monetary value or eminence; rather, by how you affect
others.  A mere glance at this site serves as testament.  Many have
been critical at how commercial success always seemed to elude Miss
Hyman.  No matter what the reason for this, I believe that we should
all appreciate the fact that Miss Hyman blessed us with her presence
on earth, shared her many precious gifts, and enchanted us with that
voice (my God, that voice).  To those of us who are exposed to the
sophisticated lady, we are wealthier beyond definition.  In her unique
way, she touched us all and this was her true success.    

Soar across the Heavens, My Ebony Angel.  You are at peace at long last.

 Jesse.H.Melchor
******************************************************************************

From: Christopher Schmidt


I guess that the one Phyllis Hyman experience that stands out the
most for me, is the last time I saw her.  It was at Blues Alley,
Washington, D.C.  For those who don't know, being in Blues Alley is
like watching a friend sing in your living room.  Right before she was
to come on, I started experiencing chest pains.  Because I have a heart
murmur, I was not too overly concerned.  Well it progressively got worse,
and by the time Phyllis came on, my partner was frantic, and quite adamant
about taking me to the closest hospital.  Well I wasn't having it. 

I apologize for how dramatic this may sound, but it is how it happened. 
I  told him that I would be fine, and if I wasn't, than there was no other
place I would like to pass on, then a place where I see and hear the angelic
voice of Phyllis, as I would pass on.  Well as you can see, I did
not pass on, but I did stay and worshiped every last note Phyllis sang. 

To this very day, I still feel the same.  Again, thanks to all for keeping
Phyllis Hyman's legacy to everyone alive with all the love, and
reconfirming that her life and contributions for life, will forever be
praised, the way they should have been, while she lived. 


Peace out.  Roarrrrrrrrrrrrrr
******************************************************************************

From: cafeluna


When I responded to the survey, I selected "Somewhere In My Lifetime
as my favorite album.  I also mentioned that I was looking for a copy. 
Well today, I am glad to say, I found it. And it is in excellent shape. 
There is a used record store that I frequent and I have been looking
for this album for about nine years. They have a  turntable and headphones
in the store so I was able to play it right then and there.  

I had to go right to the heart of the matter and I played "Here's That
Rainy Day".  By the time Phyllis got to the line "...It's so funny, isn't it?",
I had tears flowing.

In my opinion, this is Phyllis' strongest collection. It includes songs
like "Gonna Make Changes" (which she wrote) and "Be Careful How
You Treat My Love".  Nothing is more sensuous than "The Answer
(Boy) Is You".  Check out her scatting at the end of "Living Inside Your
Love".  And of course, "Somewhere In My Lifetime" is pure class. This
is my best Christmas gift from the universe to me.  Thank You Phyllis!!!
********************************************************************************

From: Jesse H. Melchor


Milestone

Magnificent milestone in the career of Phyllis Hyman was realized in
1997 and seemingly overlooked.  Her signature song, "You Know How
To Love Me," reached eighteen years of existence.  In an episode
earlier this year on the Fox network series "New York Undercover,"
Lisa Stansfield performed "You Know How To Love Me" and her
version of the song is included on her latest effort.  For the uninformed,
James Mtume is the music supervisor for the series as well as
co-author of the song; therefore, "You Know How To Love Me" has
come full circle.  I felt that this piece of information would be of interest
to the readers of the newsletter.    

Jesse.H.Melchor
******************************************************************************

From: Walid Itayim

Subject: Corrado Rustici


Corrado Rustici is an Italian guitarist who has done sessions
with a big variety of recording artists. In 1983, he played guitar
on "Goddess of Love". Specifically, he can be heard on "Why
Did You Turn Me On", "Riding The Tiger" and "Goddess of Love".

The other day, I was searching the web for pages which referred
to Phyllis and I found his homepage. I sent him an e-mail and
this is what he had to say:

>Thank you for your email.>

>A long time has passed since I worked on the " Goddess" album, but I
>remember it as being a very pleasant experience.
>Those were important and formative days of my musical career and I'll
>always be grateful to Phyllis Hyman, who allowed this young Italian
>musician to touch and be touched by her musical soul.>

>All the best to you,
>Corrado


Hope this info is of interest,

Walid
******************************************************************************

From: Connie


Well funny enough I pulled out Living All Alone.... have not played that
one in a long time!!...  WOWIE made my decision even harder!  lol So
here goes;

For many reasons and the fact that the first song I ever heard by this
Angel was Prime of My Life... and to say the lady moved me was a
major understatement!!  It was like have the eras of Soul, R&B, and motown
all at once!!  That being said.. #1 Prime of My Life, #2 I Refuse
to be Lonely, and #3 Living All Alone.

My tastes are as diverse as the ones mentioned and more.... and a few
I read that I need to add!!

I would like to see more PH material in the way of #1 Unreleased
Studio Recordings.. #2 Video footage from live performances.. and
#3 Movie of Her Life.... a tribute to her genius!!  I miss her very much.

I was one of the unfortunate one that never saw her in person!!. It was
quite odd I must say.  I had been trying to see her for some time then a
friend told me she passed away....and for some strange reasons I felt
a tremendous sense of loss like it was "heavy"... like you would feel
when a lifelong friend is no longer...so my friend found out "how" she
passed and the shock set in ... that was the year she passed... and I
have listened to her almost daily!!... Personally I think she was also a
"Healer"....... her voice... her music both so moving and powerful.... 
like the world could not be right without her angelic presence.....

Then recently I decided to look her up on the net...saying to myself... If I
feel this way... I know I ain't alone!!... 

Thanks to those who put this highly innovative concept together!!! 
>smile<

Sincerely,
Connie Garcia
Michigan
*****************************************************************************

From: Leeedy

Subject: I Miss You (song for Phyllis)


This is the song I had written for Phyllis and never heard about it again.
Walid asked me to send the lyrics along, so here they are. I hope you like
it.


I MISS YOU
        
                                                (words and music by Lee Dixon)
copyright (C) 1995, 1997, Leon Dixon/Dragonfly Music


Whenever love is on my mind...
        
My thoughts return to you
        
        A love like ours was hard to find...
        
                And harder still to lose

I miss you  (I miss your love- I want ya back)

I miss you  (I need your lovin' and that's a fact)

I want you  (wanna whisper things we used to say)

I need you  (I need your lovin')

I miss your lovin' ba-by,  Ooo

I miss you


On rainy nights when I'm all alone...
        
The memories bring tears
        
        I hear your voice, but you don't ring my phone...
        
                How I wish that you were here


I miss you (I miss your love- I want ya back)

I miss you (I need your lovin' and that's a fact)

I want you (wanna whisper things we used to say)

I need you (I need your lovin')

I miss your lovin' baby,  Ooo

I miss you


Remember those nights by the fireside...
        
Making love the whole night through
        
        I feel your touch and the chills inside...
        
                And all the things we used to do

I miss you (I miss your love- I want ya back)

I miss you (I need your lovin' and that's a fact)

I want you (wanna whisper things we used to say)

I need you (I need your lovin')

I miss your kissin' baby,  ooh

I miss you

                        (bridge)

There's a time in every life when words of love are spoken
And there's a time in every love when tender hearts are broken
        
But tell me, how  can I  feel?
        
        When everything that  was real
        
                Is gone- and  my life will never  be the same...


I... miss you...

I miss you (I miss your love- I want ya back)

I miss you (I need your lovin' and that's a fact)

I want you (wanna whisper things we used to say)

I need you (I need your lovin')

I miss your kissin' baby,  ooh

I miss you


Remember those times in our easy chair
        
Cuddled up safe and  warm with you...
        
        Now the room is dark and there's no one there
        
                And it hurts to know we're through..


I... miss you...
****************************************************************************

Well, that's it for this month! Before I sign off I would like to mention
that a new CD called "Phyllis Hyman - One On One" is set for release
on March 24 on the HIP-O label. I don't know much about what it
will contain but from what I understand, it is a collection of duets
that Phyllis did with other artists (probably released previously).

I know I will end up buying it and am sure many of you will as well.
I would like to thank musicians Billy Mann and Corrado Rustici
for responding to my e-mails regarding Phyllis. Also, many thanks
to readers Jesse Melchor, Christopher Schmidt, Cafeluna and
Connie Garcia for contributing articles to this issue.

Until next time, take care.

Walid


PHYLLIS HYMAN INTERNET NEWSLETTER #14
1998

Hi Everyone.

In our last issue we asked you to send more of your responses to us, and you did. We have received comments from several who had not written before, as well as our "Old Friend", Tom Conroy, with a very interesting Phyllis Hyman interview that I know you'll love.

One of the comments we have heard concerns the question of why we don't have input from some well-known people in the business. Well, the simple fact is that this Newsletter is not the New York Times, with everyone in the world aware of our existence. You are a part of an exclusive club, unfortunately. Part of the challenge to all of us is to get the word out about the several tributes to Ms. Hyman that exist on the World Wide Web.

I have written several letters to well-known names, including Barry Manilow, the Whispers and Michael Henderson. Thus far there have been no responses, but we will continue in our attempts to contact those with firsthand stories to tell. In the meantime, however, we will also continue to request YOUR memories as fans. As much as Ms. Hyman enjoyed the admiration of her peers, she really appreciated the devotion of her fans. She reveled in the fact that she could, for example, fill up Chastain Park in Atlanta without having a current hit record. Such ticket sales were no doubt the result of the respect and loyalty of the people who came to hear The Voice; to see The Woman. As one of them, I can only hope that other people like me who loved her, will continue to stand up and make their presence felt.

Richard

******************************************************************************

Basil Fearrington is a professional astrologer as well as a professional musician. He played bass on Phyllis' album "You Know How To Love Me". He has also toured with and/or recorded for such artists as George Benson, Roberta Flack, Stevie Wonder, Grover Washington Jr., Mary J. Blige, Stephanie Mills, James Ingram, Erika Badu, Teddy Pendergrass, Michael Urbaniak, The O'Jays, Sister Sledge, Donny Hathaway, Chuck Mangione, Chaka Khan, Brandy, Al Green, B.B. King, Nancy Wilson, Bobby Womack, Richie Havens, The Temptations, The 4 Tops, Al Jarreau, Johnny Gill, and many, many more.

Here is what Basil had to say about Phyllis when I e-mailed him:

What a surprise it was to have received your request. I do not have very much personal experience with Phyllis. I met her for the very first time in a club in Manhattan called Mikell's. I was there with a group of friends playing and in-between sets, she walked up to me and said, "Who are you? What's your name? You're a bad _other _ucker!!!!" I'm thinking, "Who is this assertive woman?" She introduced herself and asked me what I was doing. I explained that I was about to join the Roberta Flack group and go away on tour to Japan and China.

Years later when I was a part of the Mtume/Lucas production team, we did the Hyman album that spawned the dance hit, "You Know How To Love Me." (I play bass). I recall Phyllis showing up at the studio with her entourage, wine, food, drink, etc. She wanted the recording session to be as much of a party atmosphere as possible and although we had to control things a bit, it worked out well and we put out a good product.

By and large, I remember Phyllis as a strong, assertive, even brash woman whose outward appearance seem to belie the deep sensitivity that I know she has (I am also a professional astrologer). She was passionately ambitious and seemed to be one of those artists whom everyone respected. It was that consummate respect, I think, that frustrated Phyllis because she couldn't make inroads with her career in ways that would afford her the notoriety given to people like Whitney and Mariah.

I heard about Phyllis's death while walking on the Boardwalk in Atlantic City and I just couldn't believe it. In many ways, it still hasn't sunk in that such a vibrant, assertive woman with so much life is no longer in the physical form for all of us to enjoy. I miss her gifts.

Warmly,

Basil Fearrington

******************************************************************************

From: "TOM CONROY"
Subject: PH Interview

Hello Walid and Richard,

I received an audio tape of an interview that Phyllis did a few years back. The tape came from a college student in Louisiana that caught the newsletter. She copied it from her mom in California... >From Berkeley to Louisiana to Pittsburgh and now to Phyllis' fans around the world...

The tape was replayed on station KBLX from San Francisco as a tribute to Phyllis shortly after her passing. The interviewer was Kevin Nash, he talked to Phyllis while she was in the area for some appearances. Later in the tape he talked to drummer and producer Norman Connors on the phone about her life and music. I've transcribed it literally from the tape.

Kevin Nash: Phyllis, who did you grow up listening to?

Phyllis Hyman: Well, not much music. I didn't consciously listen to music. I was really into reading, and like most kids of my generation, I watched lots of television! I like to know a little bit about everything and not a whole lot about anything in particular. But then one day I heard Nancy Wilson singing "Guess Who I Saw Today". And I thought "Okay, and now I'm supposed to be a secretary?" But at the same time I thought if you couldn't sing like Nancy Wilson, why even bother? It was James Brown who gave me the intense feeling of wanting to be in control of my life and career. He was the owner of radio stations, a business entrepreneur, he made records from 5 or 6 notes! OOOOWWWW, go on and hit me! (It's here that you hear Phyllis' beautiful, lusty laughter) James Brown was making hits forever, and I wanted to be like James Brown!

Then there was the Last Poets. They were a revolutionary group out of the 60s and 70s who spoke about community issues, the importance of loving our communities, being kind and connected to one another, celebrating the entire human community. Their messages in their songs knocked me out. They were my idols as well.

I also had the chance to work with a group called Sounds of Ebony. We dressed in Afro-centric clothes and hair, we sang everything from spirituals to community based love-thy-neighbor songs with lyrics stressing the connectedness of all peoples. They were basically my influences.

K.N. Did you have fun recording your first hit,"Betcha By Golly Wow"?

P.H. NO! (Another hearty laugh). This was the beginning of my career. I was working in a place in New York called Russ Brown's between Amsterdam and Columbus Avenues, my first three or four months in New York City